Tag Archives: draft

What’s another way of saying…? a Quora question

Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.

 

Question: What’s another way of saying “in my opinion”?

 

Answer: That’s actually a great question.

 

First, it’s important to note that writers are thinkers. Writers are people who write down what they are thinking, but people, all people, have choice words and phrases, which is why, despite what Stephen King says, it’s important to use a thesaurus.

Stephen King, the greatest detriment to writers

Stephen King, the greatest detriment to writers

 

Here’s what I think: While you’re writing, writing your first draft of a novel, the first draft of a blog post, or the first draft of whatever, it’s important to just write your thoughts down as they come. After you have the entirety of your thoughts, scenario, chapter, book, you need to go back through and clean it up, right? That’s when you should actually bust out the thesaurus, and if that’s what King meant then that’s fine, but we all know that he has teams of editors who most assuredly use a thesaurus even if he doesn’t.

 

Why do we need to use thesaurus, though? Is it not okay to say “big” all the time?

 

Well that depends; are we writing a children’s book, a one page blog post, an e-mail?

 

Let me tell you, if you’re writing a full length 400 page novel for an adult audience, you’d better find another word for big, but is huge the right word? Maybe, a better word is enormous; it depends, but that’s not exactly what I want to touch on here because the question was about a phrase, specifically.

 

What’s another way of saying “in my opinion”?

 

What I think.

What I believe.

My thoughts are.

I have heard.

I have been taught.

In my experience.

It seems to me.

Considering what I’ve learned.

Judging by my evidence.

According to my views.

 

The list is practically endless, but the point is that there are numerous words, phrases, thoughts, that each of us, individually, gravitate towards; for instance, I use “for instance” a lot. I also use “a great deal” quite a bit, and it isn’t so much that the repetition is stagnant, rather there are times where a certain phrase or word will work more effectively; I’ve gone through this with a post called A Word, so rather than rehashing all of that here, I just want to add something.

 

Characters, especially the protagonist, antagonist, love interest, and support crew must sound different from one another, but how can that be accomplished without learning to think from a view that is not your own?

 

Well, the answer is not quite so complex. First of all, the view has to, per force, be your own, but not your normal view. Here’s what I mean: As I stated, I say “for instance” and “a great deal” a great deal…a joke, but a true joke.

 

Now, in order to make my characters sound different, I employ specific phrases, words, and mannerisms–just a handful for each character.

 

For instance (another joke), Martinez, while speaking to his mates, may end most sentences with “ya’ heard?” Martinez might rub his nose quite often. Martinez might employ tons of hand gestures.

 

This means that Flora and Jimmer can never say “ya’ heard?” unless mocking Martinez. This means Flora and Jimmer can’t do the things that Martinez does. Flora needs to take long pauses and stare people in the eye for an uncomfortable period before speaking. Jimmer needs to chew his mustache when he thinks. Feel me?

 

Looking for words you don’t normally use by utilizing your thesaurus is what makes your story better. Listening to people speak, and trying to find new ways of phrasing ideas, is what makes your story better.

 

This doesn’t just apply to stories though, this applies to all writing. Should an informal cooking blog sound the same as NYSE blog? Probably not, right?

 

If you like this post, make sure to share.

 

Enjoyed this slice of information? Tell your friends.

 

Be sure to let people know where they can find quality information.

 

All ways of saying the same thing, but the impact varies, right? Thanks!

How to write a novel or series, a Quora Question

Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.

Question: How do you write a novel or series?

 

Addendum: I’ve been reading the writer’s journey and I’m curious as to how some of the authors on quora go about their writing projects – I’m not looking for their writing advice insomuch as I’m interested in looking at what they actually do.

 

Answer: I think about the story. I envision a scene, a character, his perspective, his goal, the problem, the solution. I mull it over. I obsess over it. It consumes me. I see it all. I hear it all. I smell it all. I am the character, or I am his friend, or I am the unseen sojourner beside him.

 

Then, one day, I have to commit it to paper. By the time I’m four pages in, everything changes. I stop. I reassess and re-obsess. Before long, I have to write again.

 

A chapter, two chapters in, I see a twist, or a character comes to life and takes itself in a new direction. I follow, wondering where it all goes.

 

I just write; I just get the story down. That’s all anyone should do. There is nothing else that can really be said until the story has been written to completion. Completion doesn’t mean perfection; it doesn’t mean the story is ready to be published. It just means the first draft is done, and all the basics are down.

 

Occasionally, while writing, I go back and re-read former chapters to make sure there are no inconsistencies, but mostly, I try to just keep going forwards. By the time I get to the end, it’s never what I had envisioned. Because of this, I never use writing software, I never use outlines; all that crap is a creativity killer.

 

It is my belief that stringent outlines, which don’t allow for deviation, destroy inspiration. You can’t plan a garden. You can just plant flowers, and watch them grow. You can’t predict or control how they grow. After they start to grow, you can guide them. Once they’re fully grown, you can maintain them, but you can’t possibly plan on how flowers will grow.

 

You can plan for life with a newborn, but until you’re married, and your child is born, and growing, and learning, and adapting, there is no way to know how to live your life. You can’t plan for every contingency. Maybe, your boy won’t like baseball. Maybe, your girl will be too shy for dancing. Until you’re married with children, there is no way to know what will happen. The same goes for stories; there is no way to accurately outline what will happen, when, and how; you just write, and once it’s down, you can edit.

 

The story should be alive within the writer, and should come to life during the writing process. The writer should be as surprised as the audience.

 

I can’t tell you guys and gals how many characters I thought were good guys suddenly planned, and plotted, and derailed the story, but that’s what readers love, and they think I planned it that way, but no. Sometimes, events simply occur. Other times, something new comes to mind during the re-reading/editing process.

 

This happens after I get the story down. I read it, you know, like I’m reading it for the first time as a reader, and I find nuances, which I explore.

 

Oh, look, John wants to be with Carol even though she’s with Mike. Maybe John can try to woo her, and maybe that’ll make for some cool character growth!

 

Thoughts like that jump out at me after I’ve written the first draft. I explore those thoughts. Sometimes they work out. Sometimes they don’t. The first draft of the story is not the end product and should never be taken as such. The story isn’t finished until there’s nothing else that can be added, and then it’s time to cut everything superfluous, even if I like it because I have to think about what the audience will want, and if I force them to read every single little tiny thought I have, they’ll feel as though the story is pulling every which way; it feels jumbled, disorganized, confusing.

 

I know different methods work for different people, but fierce structure and routine destroys imagination, and at the end of the story, there is an editing process during which all the mess gets cleaned up and tied into everything else, which keeps my work from becoming convoluted. An outline should be only a limited tool, a guide, a loose idea, which is there only to bloom, to be modified as the occasion arises.

 

For, say, a single novel, there should only be a single plot twist if any at all, but I mostly write series, so things can get messy, which is why I do keep a notepad handy, and in it, I jot down a sentence or two in the event that I want to add a certain event during the editing process.

 

For instance, in the newly released Dragon Slayer

The Dragon of Time Two, Dragon Slayer By Aaron Dennis

The Dragon of Time Two, Dragon Slayer
By Aaron Dennis

I had intended for Scar, the protagonist, to kill a support character, but by the time I reached that portion of the story, that action no longer made sense, so I adapted, and it will seem as though what does happen was planned that way from the beginning.

 

I promise, you’ll never who I wanted him to kill or why. You’ll never know where it was supposed to happen.

 

So, as the question was asked: How do I write a novel or series?

 

I begin with an idea, no matter how undeveloped. I think about the idea, and jot down little notes. Inevitably, more and more scenes, actions, thoughts, and emotions come to mind, and when I have enough, I begin to write.

 

Maybe, my beginning is under developed. No big deal. Maybe, my middle is shaky. That’s okay. Maybe, I planned for one ending, but it no longer makes sense. That’s fine.

 

I just write, and as I write, more and more comes to mind. Eventually, I find myself wrapping up all the events, and the story has ended. Sometimes, I have some ideas for an aftermath, in which case, I’ll hold on to it for the sequel.

 

If there’s no after math, it’s time to get away from the novel. I need to forget it because the people reading it won’t be in my head.

 

Once I’ve forgotten the tale, I read it as a reader. I correct little mistakes. I fluff out the portions, which are lacking in description, dialogue, action, whatever, and I go through it over and over, probably more than 20 times by the time I’m ready to publish.

 

While re-reading, I cut whatever’s superfluous. I make notes for the sequel. I scan for inconsistencies. I search for better ways to show versus tell. I make sure to keep from repetitious retelling. I make certain that the main characters, the support crew, they’re all different. No stock characters–they cannot all sound like me when I talk or think. I give them choice words, mannerisms; I make them living people.

 

It’s a daunting undertaking, but this is why there are whole institutions devoted to writing; publishers don’t just accept a written body of work, and print it. They normally only take a look at vetted stories.

 

A literary agent accepts a finished product. They hand it off to a publisher. The acquisitions editor reads the story. If it looks good, they send it to editors and people who function as test readers. If the story can be edited for a large audience, and it appears to be attractive enough to reach a broad audience, that story gets picked up, and then the actual editing process occurs, and I promise you that it takes a long time to rewrite the entire story from that stage.

 

There’s a lot of people out there, readers, new writers, aspiring novelists, who think that writers just sit down and write out a perfect manuscript from word one to the end. Far from it; it’s a long, arduous process fraught with editing and re-writing. Many eyes have to look over the manuscript before it can be safely published, and for independent writers, this can be a most intimidating task.

 

Fortunately, there are writing groups, reading groups, beta-readers, and freelance editors. There are also numerous writers out there who blog, who answer questions, who give advice, who show the process, and so anyone who takes the time to learn, can start their career off properly.

 

Thanks for reading. Share with your friends! Come back anytime, and make sure to check out my resources, and download my free stories.

More questions and answers from Quora

will edit for food

Since Quora likes to collapse my answers in an effort to keep me quiet, I’m copying and pasting some of the Quora Q and A’s in which I’ve participated. Here’s a question from Quora.

This time, I’ll be showing a few questions with some short answers. All of the questions revolve around some facet of reading, writing, or editing, but if you find that you have some questions about the editing process, please ask right here or leave a comment.

Question 1: Can you give me some good advice before I attempt to write my first novel?

Answer: Practice writing short stories to get a feel for the process. Write a fanfiction novel so you already have a great foundation while you find your voice. Then, write your novel.

Relax, just get all your thoughts down, and then hire an editor. Feel free to visit my blog posts for more in depth information regarding the processes through which a writer can improve the quality of their writing. You can also learn what it is that makes an editor competent.

Finally, the most important aspect of writing a novel is, well, to just write. Nothing can be said about a novel or writing a first draft. A first draft is just that, a draft, so just write it all down.

There is nothing to worry over because no one else is reading the draft, so a writer needs to just relax and focus on getting down all their thoughts. Only after the first draft has been written can a writer go back and search for discrepancies.

Question 2: How can you say this in a better way?

Addendum: “even a guy good looking like that… doesn’t look handsome anymore when he’s next to Tom Cruise”

Answer: As handsome as Bill is, he looks like a toad next to Tom Cruise. There are numerous variants, though. What’s important in such situations during the writing process is to suspend judgment. Just write the phrase, scene, paragraph, or whatever as it comes to mind.

Only after having completed the novel, or perhaps the chapter, should a writer go back and find better ways to say something. However, that better way must be pertinent to the scene, the writer’s voice, the intent behind the phrase.

A writer must ask: is this dialogue? If it is, how would this character speak? Is this character sarcastic? Stuffy? Old? Young?

If it isn’t dialogue, what genre is the story? If it’s scifi then a writer might write: All the scales and tentacles in the world didn’t make Bill any hotter than Tom Cruise.

In the end, there’s no right or wrong answer, and it becomes totally up to the writer, so long as the writer keeps in mind their audience.

Question 3: What are a writer’s and editor’s strengths?

Addendum: Another word might be personality types, but I don’t want to limit it to that.

Answer: Conviction. We believe in what we do. Passion. We love what we do. Determination. We will keep doing what we do. Fear. We are afraid that one day, we will no longer be able to do what we do, so we make what we do count.

Whether we are writers or editors, our goals are the same: to produce a product that our audience will enjoy. To this effect it becomes imperative that we exude conviction, passion, determination, and even fear.

If you’d like to learn more about writing and editing, visit my Editing Services tab.